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Download e-book for kindle: Amedeo Modigliani, l'art du portrait et du nu: Entre by 50 minutes, Coline Franceschetto

By 50 minutes, Coline Franceschetto

ISBN-10: 2806258243

ISBN-13: 9782806258243

Décryptez l'art d'Amedeo Modigliani en moins d'une heure !
Figure éminente de los angeles bohème parisienne au tournant du XXe siècle, Amedeo Modigliani reste cependant en marge des avant-gardes de l'époque. Il élabore, dans une quête stylistique sans fin, des pix épurés où se mêlent mélancolie et absence, mais aussi des nus qui créent le scandale. Entre culture et modernité, Modigliani invente un artwork inimitable et reconnaissable entre mille !

Ce livre vous permettra d’en savoir plus sur :
- Le contexte culturel dans lequel Amedeo Modigliani s’inscrit
- los angeles vie de l'artiste et son parcours
- Les caractéristiques et spécificités de son art
- Une sélection d’œuvres-clés de Modigliani
- Son effect dans l’histoire de l’art

Le mot de l'éditeur :
« Dans ce numéro de los angeles série "50MINUTES | Artistes", Coline Franceschetto se penche sur le parcours d'Amedeo Modigliani, cet artiste toscan qui établit ses quartiers à Paris à l'aube d'un siècle nouveau... "Nouveau", son artwork l'est aussi : analysant les thèmes de prédilection et le sort si particulier de l'artiste, l'auteure nous fait pénétrer dans les méandres d'un artwork detailed en son style. Coline Franceschetto étudie plus particulièrement certaines œuvres emblématiques de Modigliani, notamment La Juive ou Nu couché aux bras ouverts. »
Stéphanie Felten

À PROPOS DE los angeles SÉRIE 50MINUTES | Artistes
La série « Artistes » de l. a. assortment « 50MINUTES » aborde plus de cinquante artistes qui ont profondément marqué l’histoire de l’art, du Moyen Âge à nos jours. Chaque livre a été conçu à los angeles fois pour les passionnés d’art et pour les amateurs curieux d’en savoir davantage en peu de temps. Nos auteurs analysent avec précision les œuvres des plus grands artistes tout en laissant position à toutes les interprétations.

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Additional resources for Amedeo Modigliani, l'art du portrait et du nu: Entre tradition et avant-garde (Artistes, numéro 38)

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1). Hagar’s anxiety about her son is relayed in her troubled features (likely those of a sitter for a portrait historié ), and is further played up in the agitated fluttering of her drapery around her and the dramatically sweeping wings of the angel, who suddenly looms above her to announce her rescue. Hagar’s figure has great presence, its forms emphasized by loosely applied reflections and smooth, creamy highlights in her face and arms, giving a powerful impression of physical bulk. Tension is further heightened by the strong contrast of technique between the light, thickly applied colours of the centre and left side and the dark right side.

The sitter is isolated against the background by a strong light falling on her face. This effect is complemented by the drama of movement in the background, in fluttering drapery and billowing clouds articulated in calligraphic strokes. In the sitter, this energy is carried through only in details such as the curving contours of her folded hands, which creates a disjunction between the grand aspirations of the background and her straight and stiff conservative dress, her puffy features, and her wan smile, 22 which exude a frail, grandmotherly charm.

1645–50, Kingston, Agnes Etherington Art Centre, gift of Drs Alfred and Isabel Bader. sion. His Granida and Daifilo of 1663 (cat. 34), for example, completely transforms the composition of his earlier interpretation of the theme, in Sydney (cat. 33). Instead of small figures inside a deep landscape setting, Van Noordt placed large figures in a shallow space, with Granida stretching nearly the full height of the canvas, occupying the foreground and set against trees and sky. Van Noordt appears to be looking back to Backer, who painted this theme several times, but he stops short of adopting the three-quarter format that Backer used in all three known versions by him, including the one in Kingston (fig.

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Amedeo Modigliani, l'art du portrait et du nu: Entre tradition et avant-garde (Artistes, numéro 38) by 50 minutes, Coline Franceschetto

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