By Sandra Duran Wilson
Mixed-media powerhouse duo Darlene Olivia McElroy and Sandra Duran Wilson, authors of the best-selling books snapshot move Workshop, floor therapy Workshop and combined Media Revolution, blaze new artistic territory with greater than a hundred innovations for engaged on greater than 35 specified surfaces during this, their jam-packed fourth book!
You'll locate whatever new and fascinating on each page:
More than 35 substitute surfaces, together with galvanized tin, mica, rawhide, nylon, unsanded grout, slate, spray foam and more
More than a hundred ideas for portray, sculpting, growing textures, encasing, carving, printing, moving and more
More than a hundred twenty five information for troubleshooting, getting ready your surfaces, completing and mounting your paintings, and taking your paintings to the following level
More than 50 inspiring entire items of paintings showcasing the surfaces and strategies
Read Online or Download Alternative Art Surfaces: Mixed-Media Techniques for Painting on More Than 35 Different Surfaces PDF
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Extra info for Alternative Art Surfaces: Mixed-Media Techniques for Painting on More Than 35 Different Surfaces
STEP 4: Repeat the process, applying another wash of diluted color. Variation: Crayon Resist works well on panels, too. Here, triangular shapes were taped off and colored in with white crayons. Once the tape was removed, an Ultramarine Blue wash was applied to the entire surface using loose swirling brushstrokes. TECHNIQUE NO. 12 SAND SURFACE CREATING TEXTURE WITH A COMMON MATERIAL Just about any inert substance can be added to acrylic paints or mediums to create granular surfaces. Golden makes several Pumice Gels (fine, medium, and coarse) for instance, which are particularly useful because they dry to form absorbent surfaces that soak up washes and glazes.
Palette knives work well, as do wooden skewers, toothpicks, and many other found tools. WET VERSION STEP 1: Depending on the desired effect, apply either fluid or heavy bodied acrylic to a previously painted area, using contrasting colors and/or values. Heavy bodied paints will tend to hold sharper lines. To create crisply defined shapes, use this technique in conjunction with the Hard Edge technique (see page 39). STEP 2: Immediately work into the wet layer of paint. Scrape a palette knife across the wet surface to reveal raised areas below, or scribe new lines with a toothpick or skewer.
2 / TINY BUBBLES TECHNIQUE NO. 3 / ACRYLIC AS WATERCOLOR TECHNIQUE NO. 4 / HARD EDGE TECHNIQUE NO. 5 / WRINKLED RICE PAPER TECHNIQUE NO. 6 / MARBLING TECHNIQUE NO. 7 / CARBON TRANSFER TECHNIQUE NO. 8 / SKINS TECHNIQUE NO. 9 / SALT EFFECT TECHNIQUE NO. 10 / SPRAYING TECHNIQUE NO. 11 / CRAYON RESIST TECHNIQUE NO. 12 / SAND SURFACE TECHNIQUE NO. 13 / ACRYLIC AS GROUND FOR CHARCOAL AND PASTEL TECHNIQUE NO. 14 / SGRAFFITO TECHNIQUE NO. 15 / TEXT AS TEXTURE TECHNIQUE NO. 16 / DIGITAL GROUND TECHNIQUE NO.
Alternative Art Surfaces: Mixed-Media Techniques for Painting on More Than 35 Different Surfaces by Sandra Duran Wilson