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Download e-book for kindle: Alfred Hitchcock's Psycho: A Casebook (Casebooks in by Robert Kolker

By Robert Kolker

ISBN-10: 0195169204

ISBN-13: 9780195169201

Alfred Hitchcock's Psycho: A Casebook collects a few of the best essays in this groundbreaking film--a movie that's perfect for instructing the language of cinema and the ways that robust filmmakers can holiday Hollywood conventions. Psycho is a movie that may be used to provide the constructions of composition and slicing, narrative and style construction, and standpoint. The movie can also be a highpoint of the horror style and an instigator of the entire slasher movies to come back in its wake. The essays within the casebook conceal all of those components and extra. in addition they serve one other goal: awarded chronologically, they characterize the adjustments within the methodologies of movie feedback, from the 1st journalist studies and early auteurist ways, via present psychoanalytic and gender feedback. different choices comprise an research of Bernard Hermann's rating and its shut courting to Hitchcock's visible building; the well-known Hitchcock interview via Fran�ois Truffaut; and an essay via Robert Kolker that, by utilizing stills taken at once from the movie, heavily reads its amazing cinematic constitution. members contain Robert Kolker, Stephen Rebello, Bosley Crowther, Jean Douchet, Robin wooden, Raymond Durgnat, Royal S. Brown, George Toles, Robert Samuels, and Linda Williams.

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Extra resources for Alfred Hitchcock's Psycho: A Casebook (Casebooks in Criticism)

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A close examination of, for example, the sequence in which Marion and Norman have sandwiches in the parlor—just before Marion is murdered—reveals both in dialogue and in visual composition everything about Norman and his mother. This is part of the “joke” that many of the critics represented in this volume, as well as Hitchcock himself, keep referring to. That sequence, too, will be fully analyzed later in my essay on the visual structure of the film. The structure and narrative form of Psycho may indeed be a joke played on the audience, but, in the end, what makes the film so enduring is the dark, closed, bleak, and joyless world that its structure creates.

He rose from his desk, came round toward me, and said, ‘You be the camera. Now, we won’t have her really lying on the bathroom floor. We’ll show him lift up the shower curtain . . ’ And Hitchcock acted out every move, every gesture, every nuance of wrapping the corpse in the curtain. Suddenly, his office door flew open behind him. In walked his wife, Alma, who rarely came to the studio. ” After the second week of story conferences, Hitchcock departed without explanation for a two-week commitment.

Naturally, the knife never touched the body; it was all done in the montage. I shot some of it in slow motion so as to cover the breasts. The slow shots were not accelerated later on because they were inserted in the montage so as to give an impression of normal speed. 20 “Good Evening . T. It’s an exceptionally violent scene. H. This is the most violent scene of the picture. As the film unfolds, there is less violence because the harrowing memory of this initial killing carries over to the suspenseful passages that come later.

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Alfred Hitchcock's Psycho: A Casebook (Casebooks in Criticism) by Robert Kolker

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