By Gene Adair
Alfred Hitchcock is an interesting examine the lifetime of probably the most influential filmmakers on the planet -- a guy identified for his portly profile and detailed, leery voice virtually up to for his groundbreaking videos. From Hitchcock's first movie, Blackmail -- the 1st British motion picture with sound -- to his blockbuster Hollywood successes, Psycho, The Birds, Rear Window, and Vertigo, Alfred Hitchcock chronicles the grasp of Suspense's shut operating dating together with his spouse, Alma, who was once a vital part of his filmmaking approach, and the fight to achieve complete creative regulate over his paintings. With illustrations all through and sidebars showcasing Hitchcocks concepts and directing sort, Alfred Hitchcock finds how a few of the maximum motion pictures ever created got here to be in the course of the existence and paintings of 1 of the main trendy filmmakers ever.
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Extra resources for Alfred Hitchcock: Filming Our Fears (Oxford Portraits)
The resulting film was called Rich and Strange. Although the story was inspired by the Hitchcocks’ own recent travels, the journey depicted in the movie proves to be far more disastrous than pleasurable for the couple involved. They find themselves tempted by illicit love affairs, and by the end, they have lost their money, endured a shipwreck, and unknowingly eaten a meal consisting of a slaughtered cat. They return to their dull life in London, sadder and wiser. The film was a satirical treatment of a theme that would preoccupy Hitchcock in many later films.
By the mid-1930s, Hitchcock felt that he had found his niche as a cinematic storyteller. From this point on, with only a few departures, he would specialize in films of suspense and intrigue. In 1935 and 1936, still working with writer Charles Bennett, he directed two more spy thrillers: Secret Agent and Sabotage. Both films were darker in tone than either The Man Who Knew Too Much or The 39 Steps— a possible reflection of the growing unease in Europe that came with the rise of the Nazi regime in Germany.
The year before, the Hungarian-born Korda had formed his own company, London Film Productions, and he would soon become one of the major figures in the British film industry. His planned collaboration with Hitchcock came to nothing, 44 H I G H S A N D L OW S however. When Korda was unable to raise any money for a film, he and Hitchcock agreed to end their contract. At loose ends, Hitchcock was ready to direct just about anything he was offered. And that offer came from an independent producer named Tom Arnold, who owned the rights to a musical play called Waltzes from Vienna, about the famous Strauss family of composer-conductors.
Alfred Hitchcock: Filming Our Fears (Oxford Portraits) by Gene Adair