By Dan Tranberg
This exact reference ebook is designed to excite and encourage you to push past conventional suggestions and to discover new techniques to portray. Acrylic Fusion frees you from conventional ways to portray via exposing you to a various variety of other concepts, unconventional techniques, and the combination of designated fabrics that stimulate creativity and inspire experimentation. it is a must-have source aimed toward artists who make work, however it can be a good reference for any crafters, makers, and DIYers who use paint of their paintings, whether or not they make artwork journals, layout greeting playing cards, or refinish furnishings as the ideas can simply be tailored for plenty of other forms of initiatives and purposes.
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Extra info for Acrylic Fusion. Experimenting with Alternative Methods for Painting, Collage, and Mixed Media
STEP 4: Repeat the process, applying another wash of diluted color. Variation: Crayon Resist works well on panels, too. Here, triangular shapes were taped off and colored in with white crayons. Once the tape was removed, an Ultramarine Blue wash was applied to the entire surface using loose swirling brushstrokes. TECHNIQUE NO. 12 SAND SURFACE CREATING TEXTURE WITH A COMMON MATERIAL Just about any inert substance can be added to acrylic paints or mediums to create granular surfaces. Golden makes several Pumice Gels (fine, medium, and coarse) for instance, which are particularly useful because they dry to form absorbent surfaces that soak up washes and glazes.
Palette knives work well, as do wooden skewers, toothpicks, and many other found tools. WET VERSION STEP 1: Depending on the desired effect, apply either fluid or heavy bodied acrylic to a previously painted area, using contrasting colors and/or values. Heavy bodied paints will tend to hold sharper lines. To create crisply defined shapes, use this technique in conjunction with the Hard Edge technique (see page 39). STEP 2: Immediately work into the wet layer of paint. Scrape a palette knife across the wet surface to reveal raised areas below, or scribe new lines with a toothpick or skewer.
2 / TINY BUBBLES TECHNIQUE NO. 3 / ACRYLIC AS WATERCOLOR TECHNIQUE NO. 4 / HARD EDGE TECHNIQUE NO. 5 / WRINKLED RICE PAPER TECHNIQUE NO. 6 / MARBLING TECHNIQUE NO. 7 / CARBON TRANSFER TECHNIQUE NO. 8 / SKINS TECHNIQUE NO. 9 / SALT EFFECT TECHNIQUE NO. 10 / SPRAYING TECHNIQUE NO. 11 / CRAYON RESIST TECHNIQUE NO. 12 / SAND SURFACE TECHNIQUE NO. 13 / ACRYLIC AS GROUND FOR CHARCOAL AND PASTEL TECHNIQUE NO. 14 / SGRAFFITO TECHNIQUE NO. 15 / TEXT AS TEXTURE TECHNIQUE NO. 16 / DIGITAL GROUND TECHNIQUE NO.
Acrylic Fusion. Experimenting with Alternative Methods for Painting, Collage, and Mixed Media by Dan Tranberg